Samantha Fernando, Glass Human, Glyndebourne Tour 2022:
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- The Stage
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" soprano Anna Cavaliero as Grace gives real substance’ (The Guardian) "
- Stephen Pritchard, The Guardian
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Puccini, La Bohème, Festival de La Grange aux Pianos 2022:
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- Pierre Géraudie, Ôlyrix
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" Anna Cavaliero is a spicy Musetta, with easy high notes "
- Thierry Guyenne, Opera Magasine
Handel, Serse, Opera Holland Park 2022:
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" Anna Cavaliero's sweet-voiced but scheming Atalanta "
- Erica Jeal, The Guardian
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" Anna Cavaliero proved a perkily confident foil as [Romilda's] sister Atalanta "
- Hugh Canning, Opera Magazine
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" Soprano Anna Cavaliero is terrific as Romilda’s spiteful sister, Atalanta, [...] She shows herself to have an impressive vocal range as well as excellent comic timing. "
- Jane Darcy, The Reviews Hub
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" Cavaliero's Atalanta is hilariously mischievous. Hers is a lovely soprano with subtle tones in her voice "
- Michael Higgs, Broadway World
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" British-Hungarian soprano Anna Cavaliero who is light-toned impressed in the role with her vocal agility and brought verve and charm to the stage. "
- Adrian York, London Unattached
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" Sarah Tynan (Romilda) essayed her coloratura arias with graceful ease, as did Anna Cavaliero as Atalanta "
- John Groves, London Theatre 1
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Monteverdi, Orfeo, Garsington Opera 2022:
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" strong contributions from Anna Cavaliero (Nymph) "
- John Allison, The Telegraph
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Recital with Sholto Kynoch, Oxford Lieder Festival 2021:
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" Cavaliero is a spellbinding talent, pure-voiced yet abundantly expressive without a trace of blandness and a subtle vibrato that she uses with great intelligence. "
- Mark Valencia, Bachtrack
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Mozart, Don Giovanni, Waterperry Opera Festival 2018:
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" Anna Cavaliero, a captivating Zerlina "
- Yehuda Shapiro, The Stage
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'Female Fortunes' baroque recital, City Music Foundation:
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" there is no doubt about the way she captured the emotions of the character, and the complete sense of the drama unfolding "
- Robert Hugill, Planet Hugill
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Recital with Sholto Kynoch, Leicester International Music Festival 2020:
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" Here was a soprano voice capable of real dramatic power yet also of great flexibility and range of colour, supported by a musical and literary intelligence which went to the heart of the poem and the music moment by moment. "
- Neil Roberts, A Leicester Concert-goer
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