Samantha Fernando, Glass Human, Glyndebourne Tour 2022:
- The Stage
" soprano Anna Cavaliero as Grace gives real substance’ (The Guardian) "
- Stephen Pritchard, The Guardian
Puccini, La Bohème, Festival de La Grange aux Pianos 2022:
- Pierre Géraudie, Ôlyrix
" Anna Cavaliero is a spicy Musetta, with easy high notes "
- Thierry Guyenne, Opera Magasine
Handel, Serse, Opera Holland Park 2022:
" Anna Cavaliero's sweet-voiced but scheming Atalanta "
- Erica Jeal, The Guardian
" Anna Cavaliero proved a perkily confident foil as [Romilda's] sister Atalanta "
- Hugh Canning, Opera Magazine
" Soprano Anna Cavaliero is terrific as Romilda’s spiteful sister, Atalanta, [...] She shows herself to have an impressive vocal range as well as excellent comic timing. "
- Jane Darcy, The Reviews Hub
" Cavaliero's Atalanta is hilariously mischievous. Hers is a lovely soprano with subtle tones in her voice "
- Michael Higgs, Broadway World
" British-Hungarian soprano Anna Cavaliero who is light-toned impressed in the role with her vocal agility and brought verve and charm to the stage. "
- Adrian York, London Unattached
" Sarah Tynan (Romilda) essayed her coloratura arias with graceful ease, as did Anna Cavaliero as Atalanta "
- John Groves, London Theatre 1
Monteverdi, Orfeo, Garsington Opera 2022:
" strong contributions from Anna Cavaliero (Nymph) "
- John Allison, The Telegraph
Recital with Sholto Kynoch, Oxford Lieder Festival 2021:
" Cavaliero is a spellbinding talent, pure-voiced yet abundantly expressive without a trace of blandness and a subtle vibrato that she uses with great intelligence. "
- Mark Valencia, Bachtrack
Mozart, Don Giovanni, Waterperry Opera Festival 2018:
" Anna Cavaliero, a captivating Zerlina "
- Yehuda Shapiro, The Stage
'Female Fortunes' baroque recital, City Music Foundation:
" there is no doubt about the way she captured the emotions of the character, and the complete sense of the drama unfolding "
- Robert Hugill, Planet Hugill
Recital with Sholto Kynoch, Leicester International Music Festival 2020:
" Here was a soprano voice capable of real dramatic power yet also of great flexibility and range of colour, supported by a musical and literary intelligence which went to the heart of the poem and the music moment by moment. "
- Neil Roberts, A Leicester Concert-goer