Toshio Hosokawa, Hanjo, Mecklenburgisches Staatstheater 2024:
​
" The new opera director of the Mecklenburg State Theatre succeeds […] Above all because she has Anna Cavaliero as Hanako at her disposal, who goes through a captivating development from the initial, world-weary geisha in the traditional green silk costume to the final self-confident, loving woman: With a somnambulantly secure soprano, sometimes blazing, sometimes gently dreamy, the 33-year-old draws the deeply impressive personality study of a female personality that grows out of and beyond herself. "
- Christoff Forsthoff, Nordkurier
​
" Anna Cavaliero performed the role of Hanako with a fine soprano voice that sounded very evenly in all registers "
- Arndt Voß, Unser Lubeck Kultur-Magazin
​
​
Mozart, Don Giovanni, Mecklenburgisches Staatstheater 2024:
​
" Anna Cavaliero (Zerlina) sings with a touching soprano voice and fine acting . "
- G. Helbig, Das Opernglas
​
" With Anna Cavaliero's Zerlina a more realistic and strong voiced woman comes into play. "
- Christoff Forsthoff, Nordkurier
​
​
​
Britten, The Turn of the Screw, Bath Theatre Royal, Ustinov Studio 2023:
​
- Jonathan Cross, Opera Magazine
​
" Her voice supple and strong, Cavaliero is entirely believable as a fierce protector, while her relationship with Emma Bell's Mrs Grose is superbly nuanced. "
- The Times
​
" Anna Cavaliero's sympathetic Governess, whose credible emotional security is rattled by events ... completed a formidable cast. "
- Fiona Maddocks, The Guardian
​
" As the Governess, soprano Anna Cavaliero is excellent as she goes from a wide-eyed naïf in charge of two young orphans at a remote house to a tormented figure whose well-ordered world seems to be collapsing. "
- The Stage
​
" Anna Cavaliero's [Governess] was a deeply affecting portrayal of gradual disintegration. "
- Niall Hoskin, Bath Echo
​
​
​
Samantha Fernando, Glass Human, Glyndebourne Tour 2022:
​
- The Stage
​
" soprano Anna Cavaliero as Grace gives real substance’ "
- Stephen Pritchard, The Guardian
​
Puccini, La Bohème, Festival de La Grange aux Pianos 2022:
​
- Pierre Géraudie, Ôlyrix
​
" Anna Cavaliero is a spicy Musetta, with easy high notes "
- Thierry Guyenne, Opera Magasine
​
​
Handel, Serse, Opera Holland Park 2022:
​
" Anna Cavaliero's sweet-voiced but scheming Atalanta "
- Erica Jeal, The Guardian
​
" Anna Cavaliero proved a perkily confident foil as [Romilda's] sister Atalanta "
- Hugh Canning, Opera Magazine
​
" Soprano Anna Cavaliero is terrific as Romilda’s spiteful sister, Atalanta, [...] She shows herself to have an impressive vocal range as well as excellent comic timing. "
- Jane Darcy, The Reviews Hub
​
" Cavaliero's Atalanta is hilariously mischievous. Hers is a lovely soprano with subtle tones in her voice "
- Michael Higgs, Broadway World
​
" British-Hungarian soprano Anna Cavaliero who is light-toned impressed in the role with her vocal agility and brought verve and charm to the stage. "
- Adrian York, London Unattached
​
" Sarah Tynan (Romilda) essayed her coloratura arias with graceful ease, as did Anna Cavaliero as Atalanta "
- John Groves, London Theatre 1
​
​​
Monteverdi, Orfeo, Garsington Opera 2022:
​
" strong contributions from Anna Cavaliero (Nymph) "
- John Allison, The Telegraph
​
​
Recital with Sholto Kynoch, Oxford Lieder Festival 2021:
​
" Cavaliero is a spellbinding talent, pure-voiced yet abundantly expressive without a trace of blandness and a subtle vibrato that she uses with great intelligence. "
- Mark Valencia, Bachtrack
​
​
Mozart, Don Giovanni, Waterperry Opera Festival 2018:
​
" Anna Cavaliero, a captivating Zerlina "
- Yehuda Shapiro, The Stage
​
​
'Female Fortunes' baroque recital, City Music Foundation:
​
" there is no doubt about the way she captured the emotions of the character, and the complete sense of the drama unfolding "
- Robert Hugill, Planet Hugill
​
​
Recital with Sholto Kynoch, Leicester International Music Festival 2020:
​
" Here was a soprano voice capable of real dramatic power yet also of great flexibility and range of colour, supported by a musical and literary intelligence which went to the heart of the poem and the music moment by moment. "
- Neil Roberts, A Leicester Concert-goer
​
​
​